Hatice Kübra KUZUCANLI
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TEXTURE IN SURFACE ORGANIZATION WITH EXAMPLES OF TURKISH PAINTING
Ss, 1-13
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Raziye PEKŞEN AKÇA
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EĞİTİMDE ARTIRILMIŞ GERÇEKLİK TEKNOLOJİSİNİN KULLANILMASI: BİR ÇOCUK BİR MUCİZE HİKÂYE KİTABI ÖRNEĞİ
Ss, 14-24
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Nur SU YAMAN
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GOFFMAN'S THEORY OF THE SELF PRESENT A LOOK: METAVERSE AND SELF PRESENTATION
Ss, 25-45
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Mehmet YÜCEL
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Muhammed Emin KAYSERİLİ
The Reflection of Mythological Stories and Figures on Nuri Abaç Paintings
Ss, 46-56
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Janet BARIŞ
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AN ANALYSIS IN THE CONTEXT OF CINEMA AND THEATER: MACBETH INTERPRETATION IN MODERN CINEMA
Ss, 57-68
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Nurcan AKGÜNEŞ
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“ELIZABETH: THE GOLDEN AGE” FİLMİNDE KRALİÇENİN KOSTÜM REKLERİNİN SEMBOLİZM BAĞLAMINDA İNCELENMESİ
Ss, 69-79
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Resul AY
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Düriye KOZLU İSMAİLOĞLU
INTERNATIONAL DESIGNERS’ PROCESSES OF CREATING AND IMPLEMENTING METAPHORS IN VISUAL COMMUNICATION DESIGN
Ss, 80-98
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Sedat CERECİ
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Anıl SUNA
The Case of Migration in Turkey and Its Reflection in Turkish Cinema: Migration Movies
Ss, 99-107
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Sedat CERECİ
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Hasan ÇİFTÇİ
THE EVOLUTION OF MEDIA FROM POSTMODERN TO HYPERMODERN: THE END OF POSTMODERN
Ss, 108-121
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Gülsevim Can GÜRBÜZ
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REALISTIC APPROACH IN THE CONTEXT OF THE PRESENT TIME AND VALUE OF AUTHENTICITY IN PHOTO-REALISM
Ss, 122-135
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Tam Metin (PDF) |
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