Rabiatü'l-Adeviyye, one of the important figures in the history of Sufism, is a female Sufi whose name is frequently mentioned in both written history and oral Islamic tradition as the founder of the school of love and love. With the development of the art of cinema, Rabiatü'l-Adeviyye's life was transferred to the big screen, as was the case with many religious characters. On this subject, four films have been shot with different scenarios until today. In these films, which contain narrative in the form of a story, Rabiatü'l-Adeviyye is sometimes shown with his real personality, as in the sources, with his asceticism, piety, vera and divine love, and sometimes it is fictionalized in a way that is disconnected from the sources. The study, in which the narrative analysis method is preferred, examines these films and explores how Rabiatü'l-Adeviyye is shown in the cinema. In this regard, the main mystical sources were taken as reference and the films were analyzed comparatively with each other. As a result of the study, it was determined that the character of Rabiâtü'l-Adeviyye was persistently shown with a female profile in other movies, except for one movie, that her feminine features were emphasized more than the subject, and that some additions were made to her life through the perception of beauty, where her physical features were fictionalized.